Socan Saga Stuff
As a follow-up on the SOCAN saga, I filled out their user survey a few days ago, being sure to inject my views on Tariff 22 throughout.
I just received the latest "Words and Music" magazine of theirs in the mail, I thought I selected not to have the paper version sent, it usually just serves to make me angry- it's so ensconced in the commodification of creative form. The idea of having artists compensated for the commercial use of their work is fine with me- that's why I'm a member- but the monetization of cultural exchange creates artificial class barriers that limit access to participation in the larger cultural dialogue...
An example from my personal experience is this:
The radio station in Killaloe- [chcr] is going to be getting high-speed Internet access soon, but if Tariff 22 becomes a reality, they won't be able to stream their signal. I'm living out of range of their radio tower, so I can't listen to it. A great deal of what they play is local stuff- things I would like to hear, but can't. The reason I have a SOCAN membership to begin with is from being played on chcr, as a broadcaster they are required to pay SOCAN fees, but it makes anybody played on it eligible for a membership. It's interesting to note that, while I have been played on chcr, and have been entered into their cue sheets (I've also been on Trent Radio [CFFF]), it's never registered enough for me to get a payment (as I noted in a previous blog, I did get paid for some incidental music in a short played on cbc tv)- a small community radio station's playlist just gets lost when counted on a national level- even though the ratio of amount played vs. the amount of fees paid on the local scale is very different, it's not taken into account (not unlike the [CPCC], the body that collects the tariff on blank cd's and redistributing it to the artists- but they base their payments on main stream broadcasts, which I don't think is necessarily the most accurate source for this information, especially in this time of diversification of the arts because of digital media)...
In the end it's large Corps co-opting people's sweat, blood and tears to further their agenda of maintaining the centralization of power- keep the spectacle running! Make sure the only power people have is through money- that way all power is codified and co-opted... and above all don't let people start developing their own sense of local community, where they might be able to find ways of autonomously fulfilling their own needs... not unlike the state of local farming in relation to agro-business... or small stores in relation to the mega-franchises...
So on that front, lets try to do something different- create your own culture- grow your own reality- reinvent your way of being :-)


Comments
socanned kulchur
peanut butter here, station manager for CHCR Homegrown Community Radio 102.9 and 104.5 FM.
Regarding the possible Tariff 22 by SOCAN for streaming music and shows online........it is true that CHCR is very close to having hi speed internet available for the audio streaming of its live shows.
For any other community radio stations out there, I don't relish the prospects of a tariff being levied on radio stations that just can't afford to pay them, and yet the irony is that these radio stations are the most enthusiastically committed to supporting indy artists, local culture and local musicians. The proposed tariffs just aren't going to work.
So as Webmadman says....we have to rip a new hole in our sanity and re-invent the way we want kulchur to be distributed. The weight must be light and represent light. Otherwise we might as well rename SOCAN.....SOCANT!!!!!!!
Our SOCAN survey sheets were just mailed out to us for a Christams SOCAN "sweeps" and this is just the wrong time to ask for survey results. The percentage of local music that is Christmas related is sparse to say the least...the least representative of what we spin here at CHCR.
Our goal is to play at least 50 per cent CanCon and 20 per cent local content.
On my three shows as dj peanut butter, I average over 70 per cent Canadian content and 40 per cent local.....and climbing.
Would it be possible to create a local version of SOCAN.........and raise money for local musicians through the campus and community radio station network? I have envisioned creating a printed map that shows travellers where to tune in across Ontario for campus and community radio signals......there aren't too many gaps in my sample analysis from Ottawa to Toronto, no matter which route you take.
So support your community radio stations with memberships and let's get an INDI going (Independent Network of Downloaded Information), or something that replaces, circumvents and supports the free or cooperative exchange of kulchur the way we want to see it!!!! Incidentally, membership in CHCR Radio is $10.00 per year.......Happy New Year everyone.......let's make it new in so many creative wayz!
dj peanut butter
CHCR Radio 102.9 and 104.5 FM
P.O. Box 195,
Killaloe, ON. K0J 2A0
www.chcr.org
Hey PB, thanks for the
Hey PB, thanks for the comment- as is not surprising, we are pretty much on the same page on this stuff :-)
I have to say that you are one person I know is absolutely dedicated to local/indie culture- you've certainly been instrumental in helping me at various points in my development- for which I am ever so grateful :-)
I hear you on the creating alternatives (I like the INDI thing- that's cool- exactly what I would like to see/help create). With the example of the 20% local play- I bet if you were consistently at that level, 20% of your SOCAN fees would still not be paid to those local artists- I think that borders on criminal and is a glaring example of just how unfair SOCAN is. I actually think requiring a small not-for-profit local radio station to pay any fee is ridiculous- if no money is made, no money should need to be paid- if there is revenue being generated (such as in commercial broadcasts), then a reasonable percentage of that revenue should be streamed back to the artist. What community radio offers to an artist is exposure- a venue to develop audience- same with the Internet- I do think that if a site is generating revenue, then compensating the artist makes sense- but in cases where there is no revenue, trying to monetize every play of a song is counter-productive and pushes the arts back into being for the privileged classes only (the "vote with your money" nonsense that some people like to spew is only fair if everyone has the same amount of money, otherwise it allows those with more money to dictate what types of art and culture are produced and supported)...
Anyway, I have some projects I'd like to develop- PB- I'll give you a call at some point to chew these ideas over, meanwhile all the other readers here in cyberland- I'll keep you all posted as to what's cookin'!
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